元丰通宝，中国古代钱币之一。北宋神宗赵顼，元丰年间（公元1078年～公元1085年）铸造。有小平，折二钱和铁钱。书体有篆书、行书、隶书三种，互成对钱。版别极其复杂，其中以背月小平钱，小平大字篆书，隶书比较少见，另有铁钱，其中背“陕”者罕见。
Yuanfeng Tongbao is one of the ancient Chinese coins. Zhao Xu, the Shenzong of the Northern Song Dynasty, was cast in the Yuanfeng period (1078-1085 A.D.). There's Xiao Ping, two percent discount and iron money. There are seal script, running script and official script in calligraphy, which are in pairs of money. The edition is extremely complex, among which Xiaoping Qian recites the moon, Xiaoping big character seal script, official script is relatively rare, and there is iron money, among which the recitation of "Shaanxi" is rare.
宋钱应该说在古钱的中国历史上到了鼎盛时期，其设计是在中国历代古钱当中比较下工夫、比较讲究的。钱文大部分都是出于书法大家，特别像宋徽宗“大观通宝”，就是用它的瘦经体来书写的，中国古钱的艺术性主要反映在书法上。
Song Qian should be said to have reached its heyday in the Chinese history of ancient money, and its design is more diligent and exquisite among the ancient Chinese money of all ages. Most of the money is written by calligraphers, especially the song Huizong "Grand View Tong Bao", which is written in its thin Scripture. The artistry of ancient Chinese money is mainly reflected in calligraphy.
直径：2.92cm 厚：0.19cm 重：8.1g
Diameter: 2.92cm Thick: 0.19cm Weight: 8.1g
上图即为袁先生所藏的“元丰通宝半月”钱，青铜质，钱文“元丰通宝”，旋读，背“半月”。字迹清秀工整布局协调，书意端庄，笔划粗细不均，横直竖立，颇见个性。
The picture above shows the "Yuanfeng Tongbao half moon" Qian, a bronze coin with the inscription "Yuanfeng Tongbao" on its back. The handwriting is beautiful, neat, well-balanced, elegant, with uneven strokes, standing vertically and horizontally.
由于宋钱品类繁多，版别复杂多样，往往有因形制、文字、纹饰等方面存在差异的各种版别，有的版别甚至很稀有。此枚钱币为少有的背半月，呈熟坑之相，其中，薄锈之处，包浆滋润，踏实无虚，铜色则是当然自然老熟，存世稀少，具有收藏价值。
Because of the variety of categories and the complexity of the editions, there are many different editions, some of which are even rare. This coin is rare with a half moon on its back. It looks like a pit of ripeness. It is thin and rusty. It is moistened with slurry. It is solid and solid. The copper color is naturally mature and rare. It has a collection value.
正是因为这一点，使得历代泉家孜孜不倦去收藏和研究，为不断发现新品，丰富和完善中国古钱文化添砖加瓦。
It is precisely because of this that spring families of all ages have been tireless in collecting and studying, contributing to the continuous discovery of new products and the enrichment and improvement of ancient Chinese money culture.
